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Alexander Flood – Life Is A Rhythm (feat. Cazeaux O.S.L.O)

•  Stream & Download: LIFE IS A RHYTHM (feat. Cazeaux O.S.L.O)

Cazeaux O.S.L.O brings his lyrical genius to this hard-hitting collaboration with renowned Australian drummer Alexander Flood in this fiery dancefloor heater. O.S.L.O’s slick words bounce effortlessly around Flood’s 4-to-the-floor rhythm as the arrangement evolves and intensifies into an all-in house cut. Erica Tucceri shines through with a recurring syncopated flute riff reminiscent of St. Germain’s “So Flute”, with Dylan Paul and Finn Rees holding down the bassline and chords.

LIFE IS A RHYTHM also features flowing rhythmic layers from Brazilian percussionist Aduni on congas and Cuban percussionist Alexander Scull Castillo on bata, recorded in Berlin’s infamous Red Bull Studios.

Cazeaux O.S.L.O – Vocals
Alexander Flood – Drums, additional keyboards, production, programming
Erica Tucceri – Flute
Finn Rees – Rhodes, piano
Dylan Paul – Bass
Aduni – Congas
Alexander Scull Castillo – Bata
Kara Manansala – BVs

Magic Number – All I Ever Wanted (Atjazz Remixes)

‘All I Ever Wanted’ is the 4th single from Magic Number’s sophomore album ‘Badly Written Songs’. The original, as we know by now, is an 80s-tinged pop crossover number loaded with class, it nods to those Synth-Wave classics and is beautifully topped off with the gorgeous vocal tones of Sophia Marshall.

Considering their long history of musical antics together (and there have been many!), it seemed fitting to have Atjazz jump on remix detail initially. Atjazz smooths things out with his usual sound set of layered Rhodes, Moog, Poly-Synths and other twiddly noise-making machines. Martin firmly nails these shimmering remixes with clear beat production and modern stylings.

This is the first in a long series of reworks for this beautifully colourful album. Keep your ears open and your eyes peeled for more.

In 7 Words: Peacey

Peacey forthcoming album ‘Play It By Ear’ is now available for pre-order / pre-save
► PRE-ORDER / PRE-SAVE

Q1: You’re?

A creative bubble inhabitant, chief bucket list crosser-offer with my debut album dropping 2024, a maestro of melodies for you delightful folks, a collaboration connoisseur, always remixing, a perpetual learner, a dreamer of expensive synths I can’t afford, a dad, a hubby, and a full-time job juggler. Oh, and I also go by the name, Peacey. A pleasure to make your acquaintance! “inhales dramatically

Q2: When?

I may be as time-starved as a dessert buffet at a weight loss convention, and finding a spare moment might be like hunting for treasure in a sandcastle. But when it comes to my friends and musical family, consider this the golden hour – I’m all ears!

Q3: Why? 

Because I love what I do and I do what I love. Happiness is my currency.

Q4: Watching? 

The never ending spinning wheel of death on my studio computer, Youtube cat videos, binging Prime like it’s an Olympic sport, getting lost in mind-bending documentaries, and enjoying a zillion comedy and sci-fi films when insomnia pays a visit.

However, of late, the new series of Frasier and really enjoying season 1 of “Bodies” on Netflix

Q5: Hearing?

Is still good in my 40’s, aside from the occasional tinnitus serenades it treats me to. It’s my way of adding a touch of avant-garde to my audio experience!

With the joking aside, creativity is my constant companion, I’m in a perpetual state of listening. When it comes to crafting music, I eagerly welcome the unexpected and pursue ideas with the daring spirit of a child in a toy shop.

Q6: Playing? 

The fool, aways. Ask my friends and wife and they will confirm this!

But seriously.. the music that grace the airwaves in my humble abode might surprise you. Even if it’s not a style or genre I’d showcase, I’ll find inspiration in the most unexpected sounds and that’s the beauty of it.

Q7: Loving?

My wife, children, friends and of course my beloved ARCo. family. without them, I am a shell.

….And the fact that I have my debut album dropping. Did I mention that already? :)

Artist Focus: Peacey

Beginnings

Introduced to the world of vinyl in the 80s by his Uncle Tim, Peacey was immediately mesmerised. Little did Uncle Tim know of the butterfly effect he’d trigger, as this introduction laid the foundations for a far-reaching, impactful and lifelong journey through music.

Peacey’s evolution took in plenty of clubbing, assimilating the art of DJing, and eventually, production, which brings us to his current destination: Peacey’s debut album, ‘Play It By Ear’. It’s an eclectic sonic journal, cataloguing Peacey’s interactions with, and influences from, some of dance music’s notable players. However, how did we get to this point and what else shaped the Peacey we know today?

Growing up in a Christian musical family, as an acclaimed organist, Peacey’s grandad would leave an indelible mark. Peacey would often find himself absorbed in programming the organ’s albeit primitive electronic drums, together with programming its peculiar, entrancing arpeggiator sounds. These moments would serve as foundations of his enduring connection to instruments and music from this very young age.

The DJ Journey

By the 1990s, Peacey’s musical trajectory took another turn as he became heavily influenced by Jungle and Hip Hop. This shift was bolstered by a visit to his friend Tiz, whose elder brother introduced him to Technics turntables. Peacey rapidly honed his skills, making mixtapes and even adding emceeing to his repertoire. The ascent of UK and Speed Garage sounds prompted Peacey to delve deeper, even building a custom antenna to discover pirate radio stations. It was on Nottingham’s Groove City FM that he stumbled upon DJ Chris Lockdown. Impressed with Peacey’s talent, Chris offered him his debut warm-up slot at Derby’s renowned Loft. From there onwards, Peacey’s ascent throughout the DJ world continued, with memorable radio appearances, DJ residencies and an unforgettable gig at the Ministry Of Sound.

Production and Collaborations

Peacey’s tech-savvines, his musical abilities, and not to mention almost two decades of mentorship from lifelong friend, Martin Iveson, all ensured a fruitful progression into music production. Peacey’s proficiency with analogue synths and platforms like Cubase resulted in him producing exciting and distinctive sounds. Collaborative efforts bore their fruit too, with significant work alongside Craig Smith on the ‘Unknown Formula EP’. His debut album, ‘Play It By Ear’, is a testament to this musical journey. The album features collaborations with Clyde and Atjazz and reflects upon a journey of poignant moments and personal experiences.

Legacy

Peacey would consistently draw inspiration from a broad circle of talented individuals. Apart from family influences like Uncle Tim and his grandad, local talents like Scott Thompson, Scott Lorimer, Lee Whitehead and Marcus Shukla, Clyde and Martin Atjazz Iveson, to name but a few, all played pivotal roles in Peacey’s development.

To encapsulate what brought him to the point of releasing his debut album, Peacey humorously referenced his notorious attention to detail: ‘Don’t let the ADHD get in the way of a good album’, he quipped. After all, ‘Play It By Ear’ is a meticulously written and recorded catalogue of music. It’s an album that will attract discerning ears and diverse audiences, thanks to it spanning a multitude of genres including Hip Hop, R&B, House, Garage and Fusion.

South Africa’s LaTique draws up a serious 4 tracker!

He may only have a few releases under his belt but LaTique is no newcomer to studio production, writing & sound design. His brand new EP entitled 11TH HOUR is literally overflowing with high quality deep house gems.

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R.J.C.T.S (RARE TOUCH) kicks off, a very welcoming intro to an amazing EP with soft yet techy tones that open the story. SHE KILLED MY EX bumps along on a bed of air with a very established & identifiable sound with crunchy, european tones throughout. LATIQUE then follows with the title song 11TH HOUR, a superb DEEP HOUSE chugger that also grows into another wonderful story, brilliant use of light vocal samples breeze atop of chunky bass bumps & sollid beat crafting. Ending the release is OUT NUMBERED (RARE DUB) which slows the pace into 6/8 time and skips along dealing out sacks full of lushness.

A purely brilliant EP from our newest member of the ARCo. Family.

Fromwood floats in again!

Fromwood returns to the label with his signature pristine sound. ‘Unexpected Gift’is beautiful and fragile in build, warming pads and light arpeggios flutter over a solid bass bump, this is a very pure piece of Deep House.

Always telling stories with his productions, Pier takes us on another warming journey of quality sound-scapes which unfold slowly and get your imagination fizzing. Backup this time with a little more edge comes from his label brother ‘Abel’who sees this song safely into the sunset with touch more drive and some really nice synth tricks.

D-Malice – Phases OUT NOW!…

After spending his career popping up the hottest spots you can find in club-land, in-between running his own label DM Recordings and producing quality vibes with such talents as Kid Fonque, Jonny Miller and Rancido, please join us in welcoming back our good friend and collaborator – D-Malice.  Taking time out of his hectic schedule, and following up the release of the “All This Time” & “All This Time Remixes” with Kid Fonque, D-Malice has brought his skills to the fore again with solo ARCo debut offering: ‘Phases’.

We start with ‘#87’ and the mood is set instantly.  Kicking off with straight up beats and low melodic tones that evoke the feelings and groove of the legendary Lil’ Louis at his finest, this pumping masterpiece reaches through your body and into your hips, daring you not to dance.  We can promise you won’t be able to resist moving to this!

D-Malice (Black3)

Then D-Malice introduces his trademark low bass and deep afro-beats and steps up to the podium with ‘Phases’.  Taking all things musical to a more interesting pitch, with a soothing and smoothing soundscape that runs up and down your spine, D-Malice peppers an insistent and effortless melody over a thoroughly enjoyable dance-floor goto.

We then return to ‘Phases’ with a remix that is ‘Expressive’ in more than just name.  Stepping up another gear, we are welcomed to a realm of low range tones and light percussive touches that brings D-Malice’s musical odyssey to new heights and leaves us begging for more, as he usually does with his ever popular ‘Expressive Dubs’.

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A few words from Atjazz “I have always been intrigued by the sounds of D-Malice, I’ve also seen him perform on a few occasions, and I have to put it out there that he is one of the best afro-house DJs I’ve seen play live. No tricks, just honest hard work, and you can hear it in his music, he cares and that is the first block in his wall of sound, which is standing very strong. Phases had to come out via ARCo., it really suits us down the ground, Techy in parts, afro of course & just very well crafted dance-music.”

Si Tew’s Orion EP gets worldwide praise!

Si Tew’s is become a household name in the world of electronic music. His new Orion EP has received worldwide praise from some of of electronic and dance musics heroes such as Detroit’s Carl Craig, Circo Loco’s Clive Henry, Berlin’s Andre Londemann, Groove Armada & many many more.

Take a listen for yourself:
https://soundcloud.com/atjazz/sets/si-tew-orion-ep

Purchase the single:

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